THE PROPERTY OF ESTATES AND PRIVATE OWNERS 


VALUABLE PAINTINGS 


BY MASTERS OF THE 


FOREIGN AND AMERICAN SCHOOLS 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 
IN THE GRAND BALLROOM OF THE PLAZA HOTEL 


UNDER THE MANAGEMENT OF 


THE AMERICAN ART ASSOCIATION 
MADISON SQUARE SOUTH 
NEW YORK CITY 


‘ 


a 


Sie Ts 


) 


Carib i Bag CV LW 


ieee AMERICAN ART GALLERIES 


MADISON SQUARE SOUTH, NEW YORK 


BEGINNING SATURDAY, FEBRUARY llru, 1922 
AND CONTINUING UNTIL THE DATE OF SALE 
FROM 9 A.M. UNTIL 6 P. M. 


VALUABLE PAINTINGS 


BY MASTERS OF THE 


FOREIGN AND AMERICAN SCHOOLS 


BN 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 
BY ORDER:-OF EXECUTORS AND PRIVATE OWNERS 
ON THURSDAY EVENING, FEBRUARY 16TH 
BEGINNING AT 8.15 O’CLOCK 
IN THE GRAND BALLROOM OF THE PLAZA HOTEL 


ENTRANCE, No. 9 WEST 58TH STREET 


Bon S. de Rice} 


ILLUSTRATED CATALOGUE 


OF 


VALUABLE PAINTINGS 


BY MASTERS. OF THE 


FOREIGN AND AMERICAN SCHOOLS 


BELONGING TO THE ESTATE OF 


ELIZABETH MILBANK ANDERSON 


OF GREENWICH, CONNECTICUT 


feet obAlLH OF DR..FRANCIS P. SPRAGUE 


BOSTON, MASSACHUSETTS 


elie PSTATE OF ELIZABETH R. SPRAGUE 


BOSTON, MASSACHUSETTS 


EUGENE GLAENZER & CO., IN LIQUIDATION 


PARIS AND NEW YORK 


AND TO SEVERAL PRIVATE COLLECTORS 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 
BY ORDER OF EXECUTORS AND PRIVATE OWNERS 
IN THE 


GRAND BALLROOM OF THE PLAZA HOTEL 


(ENTRANCE, NO. 9 WEST 581TH STREET) 


ON THE EVENING HEREIN STATED 


THE SALE WILL BE CONDUCTED BY 
MR. THOMAS E. KIRBY 
AND HIS ASSISTANTS, MR. OTTO BERNET AND MR. H. H. PARKE 


THE AMERICAN ART ASSOCIATION, MANAGERS 


MADISON SQUARE SOUTH 
NEW YORK 


THE AMERICAN ART ASSOCIATION 
DESIGNS ITS CATALOGUES AND DIRECTS 
ALL DETAILS OF ILLUSTRATION 
TEXT AND TYPOGRAPHY 


CONDITIONS OF SALE 


I. Rejection of bids: Any bid which is not commensurate 
with the value of the article offered or which is merely a nominal 
or fractional advance may be rejected by the auctioneer if in his 
judgment such bid would be likely to affect the sale injuriously. 


Il. The buyer: The highest bidder shall be the buyer, and 
if any dispute arises between two or more bidders, the auctioneer 
shall either decide the same or put up for re-sale the lot so in 
dispute. 

III. Identification and part payment by buyer: The name 
of the buyer of each lot shall be given immediately on the sale 
thereof, and when so required, each buyer shall sign a card giving 
the lot number, amount for which sold, and his or her name and 
address. 


Payment at the actual time of the sale shall be made of all 
or such part of the purchase prices as may be required. 

If the two foregoing conditions are not complied with, the lot 
or lots so purchased may at the option of the auctioneer be put 
up again and re-sold. 

IV. Risk after purchase: Title passes upon the fall of the 
auctioneer’s hammer and thereafter neither the consignor nor the 
Association is responsible for the loss or any damage to any 
article occasioned by theft, fire, breakage or any other cause. 


V. Delivery of purchases: Delivery of any purchases will 
be made only upon payment of the total amount due for all 
purchases at the sale. 


Deliveries will be made at the place of sale or at the storage 
warehouse to which purchases may have been removed. 


Deliveries at the American Art Galleries will be made only 
between the hours of 9 A. M. and 1 P. M. on sales’ days and on 
other days—except holidays, when no deliveries will be made— 


between the hours of 9 A. M. and 5 P. M. 


Deliveries at places of sale other than the American Art 
Galleries will be made only during the forenoon following the day 
of sale unless by special notice or arrangement to the contrary. 


Deliveries at the storage warehouse to which goods may have 
been sent will be made on any day other than holidays between 
the hours of 9 and 5. 


Deliveries of any purchases of small articles likely to be lost 
or mislaid may be made at the discretion of the auctioneer during 
the session of the sale at which they were sold. 


VI. Storage in default of prompt payment and calling for 
goods: Articles not paid for in full and either not called for by 
the purchaser or delivered upon his or her order by noon of the 
day following that of the sale will be turned over by the Associa- 
tion to some carter to be carried to and stored in some warehouse 
until the time of the delivery therefrom to the purchaser, and the 
cost of such cartage and storage will be charged against the pur- 
chaser and the risk of loss or damage occasioned by such removal 
or storage will be upon the purchaser. 


NOTE: The Limited space of the Delivery Rooms 
of the Association makes the above requirements 
necessary, and it is not alone for the benefit of the 
Association, but also for that of its patrons, whose 
goods otherwise would have to be so crowded as to 
be subject to damage and loss. 

VII. Shipping: Shipping, boxing or wrapping of purchases 
is a business in which the Association is in no wise engaged, and 
will not be performed by the Association for purchasers. The 
Association will, however, afford to purchasers every facility for 
employing at current and reasonable rates carriers and packers ; 
doing so, however, without any assumption of responsibility on 
its part for the acts and charges of the parties engaged for such 
service. 


VIII: Guaranty: The Association exercises great care to 
catalogue every lot correctly and endeavors therein and also at 
the actual time of sale to point out any error, defect or imperfec- 
tion, but guaranty is not made either by the owner or the 
Association of the correctness of the description, genuineness, 
authenticity or condition of any lot and no sale will be set aside 
on account of any incorrectness, error of cataloguing or imper- 
fection not noted or pointed out. Every lot is sold “as is” and 
without recourse, 


Every lot is on public exhibition one or more days prior to its 
sale, and the Association will give consideration to the opinion of 
any trustworthy expert to the effect that any lot has been incor- 
rectly catalogued and in its judgment may thereafter sell the lot 
as catalogued or make mention of the opinion of such expert, who 
thereby will become responsible for such damage as might result 
were his opinion without foundation. 


IX. Buying on order: Buying or bidding by the Associa- 
tion for responsible parties on orders transmitted to it by mail, 
telegraph or telephone will be faithfully attended to without 
charge or commission. Any purchases so made will be subject to 
the foregoing conditions of sale except that, in the event of a 
purchase of a lot of one or more books by or for a purchaser who 
has not through himself or his agent been present at the exhibi- 
tion or sale, the Association will permit such lot to be returned 
within ten days from the date of sale and the purchase money will 
be refunded if the lot in any manner differs from its catalogue 
description. 


Orders for execution by the Association should be written and 
given with such plainness as to leave no room for misunderstand- 
ing. Not only should the lot number be given, but also the title, 
and bids should be stated to be so much for the lot, and when the 
lot consists of one or more volumes of books or objects of art, the 
bid per volume or piece should also be stated. If the one trans- 
mitting the order is unknown to the Association, a deposit should 
be sent or reference submitted. Shipping directions should also 


be given. 

Priced Catalogues: Priced copies of the catalogue or any 
session thereof, will be furnished by the Association at charges 
commensurate with the duties involved in copying the necessary 
information from the records of the Association. 

AMERICAN ART ASSOCIATION, 
American Art Galleries, 


Madison Square South, 
New York City. 


= 
i : ie, 
“hh 
Dr ls 
» 
Ys 
a 
f ; 7 
{ 
2 , 
K ts 
i Re i 
re. - ‘ 
. * cit a | ‘ oe 
Q P= >. Py 7 igs 2 ~~ 


of 7 us 
ie _ i ‘ 
| ; ir f ‘ 2 
‘ ’ 
~ ‘ i 
, 
4 
{ 
r 
* 
‘ 
i 
; 
: 
, 
= : . * 
: : 
a a. i 4 


* laa 
Powe 


BATALOGUE 


Pe aa ea la a. eee 
he ec phd Se 
yee tadee 


ig 


aS 
e 
a 
e 
e 
e 
e 
® 
e 
e 
. 
e 
e 
e 
e 
6 
2 
® 
e 
e 
® 
e 
e 
e 
e 
e 
e 
e 
@ 
e 
e 
e 
e 
e 
a 
e 
e 
e 
® 
e 
a 
e 
e 
e 
e 
e 
e 
e 
e 
® 
@ 


THe AMERICAN ART ASSOCIATION 
MANAGERS 


SALE IN THE GRAND BALLROOM OF 
THE PLAZA HOTEL 


> VALUABLE PAINTINGS BY MASTERS 
OF THE FOREIGN AND AMERICAN SCHOOLS 


Evening of Thursday, February 16, 1922 


To save time and to prevent mistakes each Purchaser will 
oblige the Managers by filling in this slip and handing it 
to the Record Clerk or Sales Attendant on making the first 
purchase. 


Purchaser's Name——. 
i RR ne er a Re 


Amount of Deposit 


i ee eg 


EVENING SALE 


THURSDAY, FEBRUARY 16, 1922 


IN THE GRAND BALLROOM OF 


THE PLAZA HOTEL 


Entrance, No. 9 West 581TH STREET 


BEGINNING AT 8.15 O'CLOCK 


VICENTE PALMAROLI 
SpanisH: 1835—1896 


1—ON THE BEACH 
(Panel) 


Height, 18 inches; width, 131% inches 


A apy dressed in the fashion of the eighties, with light blue wrap 
and white parasol, walking on the beach of a French seaside resort. 
At left, beach chairs and the wreck of a small vessel; on right, in 
distance, another lady and a little girl; glimpse of the ocean and 
gray sky. 

Signed at the lower left, V. PaumMaroti. 


Property of the Estate of the late ExizapErH MitpAnx ANDERSON. 


EMILE CHARLES LAMBINET 
Frencu: 1815—1878 


2—FISHING AT THE MILL 
(Panel) 
Height, 1014 inches; length, 16 inches 
Potuarp willows lean their branches out of the picture, at left, and 
cast shadows on the lush and sunny grass before an old mill of creamy 
walls, whose big water-wheel is dripping glistening silvery streamlets. 
High trees rise above its roof, and groups of others stand near a farm- 
house in the middle distance beyond it. At a point projecting into 


the blue mill stream, in the foreground, are two figures in blue and red 
and gray, fishing a la ligne. 


Signed at the lower right: 1864, Emite Lamerner. 


Purchased from R. C. and N. M. Vose, Boston. 


Property of the Estate of the late Dr. Francis P. Spracue, Boston, 
Massachusetts. 


LEON Y ESCOSURA 
SpanisH: 1834—1901 


3—THE FINISHING TOUCHES 
(Panel) 
Height, 18% inches; width, 15 imches 
AN interior with two figures. Seated beside his great curtained and 
canopied bed is a gentleman whose morning toilet has just been com- 
pleted. He is sipping his chocolate and reading a book while his valet, 
an elderly man, probably long in his service, is on his knees in front 


of him, brush in hand, polishing the master’s boots. A character 
genre of historical correctness. 


Signed at the lower left, L. Escosura, and dated 1871. 


Property of the Estate of the late E1izanetrH MiLrpaANnk ANDERSON. 


VICTOR PIERRE HUGUET 
Frencu: 1835—1902 
4—ARABIAN FOUNTAIN 


(Panel) 
Height, 14 inches; width, 10 inches 


Ser at a corner of the creamy, gray and russet wall of a garden is a 
round-arched fountain with angular basin. Here two white-robed 
horsemen have halted. Their horses also are white, and one is drinking 
at the trough, as his master, who has dismounted, stands beside him. 
Beside his comrade stands a woman clad in rose red. All are in the 
bright light of the noon-tide sun, while two other figures rest on the 
ground near by, in the shade of a tree whose green boughs project over 
the wall from the garden within. 


Signed at the lower right, V. Hucver. 


Property of the Estate of the late Dr. Francis P. Spracur, Boston, 
Massachusetts. 


ANTON MAUVE 
Dutcu: 1838—1888 


5—DONKEY AND CART 
( Panel) 
Height, 12 inches; length, 15%4 wches 


Sranpine in sunlight in the green dooryard of a cottage, part of which 
appears in the right background, is a dun color and white donkey 
patiently waiting between the shafts of a wagon with blue body. ‘Tree 
trunks and foliage, a bit of distance and a glimpse of sky are seen in 
the upper left. The humble donkey is a beautiful specimen of animal 
painting. 

Signed at the lower right with initials, A. M. 


Collection of the late Mrs. S. D. Warren, Boston and New York, 1908; 
Catalogue No. 34. 
Boussod, Valadon & Co., New York. 


Property of a Private Owner. 


JEHAN GEORGES VIBERT 


Frencu: 1840—1902 


6—A GAME OF CARDS 
Height, 15 inches; length, 18%4 inches 


A youne Spaniard who by the accouterments about him is seen to be 
a mender and restorer of trappings and bric-a-brac and plies his trade 
in a courtyard is seated, at right, before a low table. Opposite him 
is an elderly monk with whom he is playing a game of cards. The 
young tinker is in doubt what to do next and the father awaits his 
decision with patient expression. 


Signed at the lower left, J. G. Vinert, and dated 1874. 


Property of the Estate of the late KxizanerH Mitpank ANDERSON. 


GABRIEL CORNELIUS VON MAX 


GERMAN: 1840— 


7—YOUNG WOMAN 
Height, 19 inches; width, 151% inches 


/ 
e 
nd 


Heap of a young woman with brown hair and pale complexion, in full 
face. ‘The head is covered by a closely drawn white drapery which 
falls over the shoulder on the right and over the bust is a white shawl. 


Property of the Estate of the late ExizanerH Minpanxk ANDERSON. 


AUGUSTIN THEODULE RIBOT 


FrencH: 1823—1891 


8—FEREEDING TIME 

Height, 281 inches; width, 23% inches 
Two peasant girls, whose gray garments are relieved by notes of blue, 
are feeding some rabbits which are grouped together in the left fore- 


ground. A hen is among the rabbits and all are busy with the food the 
two girls are providing. At the right, on its side, a large empty cask. 


Property of the Estate of the late Ex1izanErH Mrrpank ANDERSON. 


DANIEL RIDGWAY KNIGHT 
AMERICAN: 1838— 


9—AT POISSY: “YOUR HUALTH” 


(Canvas) 
Height, 214% inches; width, 18 inches 


A youne girl is standing in front of a bed of poppies, whose gray- 
green crinkly leaves are interspersed with pink, purple and crimson 
flowers. In the act of raisimg a wooden water-bottle to her lips, she 
turns to look at front. She is dressed in a pale blue skirt which is 
tucked up over an olive brown petticoat. Beyond the picket gate of 
the garden a meadow extends to a river. 


Signed at the lower left, Ripaway Kwnicut, Parts. 


From the Dr. Leslie D. Ward Collection, American Art Association, 
1911; Catalogue No. 30. 


Property of a Private Owner. 


EMILE CARLSEN, N.A. 
AmeERiIcAn: 18538— 


10—STREET SCENE 
Height, 251% inches; width, 2114 inches 


Just curving into new in the foreground, a narrow Paris street leads 
away straight before the eye toward a structure hazy in the distance, 
which suggests the twin towers of Notre Dame. At either side of the 
way, gray and pinkish buildings, garden wall and fence, and women 
walking, and in the roadway a vehicle—the whole street hot, humid 
and hazy, in sunshine and partial shadow. 


Signed at lower left, EM1Le Carusen, Paris, ’76. 


Property of the Estate of the late Ex.izanetH R. Spracur, Boston, 
Massachusetts. 


LOUIS GABRIEL EUGENE ISABEY 
Frencu: 1803—1886 


1—LARRIVEE DES INVITES 
Height, 18 inches; width, 13 inches 


THe grand stairway of a chateau leads upward to left from the fore- 
ground to a landing where two ladies are receiving arriving guests, 
one of whom is a lady in black near the landing and another in pink 
on the lower steps. In a corner, at right, are two male figures and a 
spaniel. 

Signed at the lower right, KE. Isaney, and dated 55. 


Property of Eucenr GLaEenzer & Company, of Paris and New York, in 
liquidation. 


FERDINAND VICTOR LEON ROYBET 
Frencu: 1840—1920 


12—-THEHE TRUMPETER 
( Panel) 
Height, 24 inches; width, 16 inches 


Tue stately figure of a man-at-arms in the picturesque costume of 
the Louis XIII period standing near the doorway of a castle and 
summoning with his trumpet, from which depends a rich velvet banner, 
the retainers of his lord. His head, turned to the left so that his face 
is seen in profil perdu, is crowned with a wide-brimmed hat with 
plumes. 

Signed at the lower left, F. Royer. 


Property of the Estate of the late K1izanerH MitBanx ANDERSON. 


EDUARDO ZAMACOIS 
SPANISH: 1842—1871 


13—CHEHCKMATED 
Height, 20 inches; length, 24 inches 


A court jester in dress of cherry red is seated, at left, at a table on 
which is a chess board and pieces, while seated on the table itself are 
two dwarfs, one in red, the other, who is the jester’s opponent, in 
brilliant costume of white and gold. The jester has been brought to 
checkmate by the latter of the two, and he confronts him with shrewdly 
smiling face. The setting for the figures is an apartment with tapestry 
on the wall and a large Henri Deux armchair. This picture by both 
the extreme rarity of works of this celebrated artist and the unsur- 
passable mastery of its execution is a notable example. 


Signed at the lower right, E. Zamacois, and dated ’67. 


From the famous W. H. Stewart Collection Sale, February 4, 1898; 
Catalogue No. 101. 


Property of the Estate of the late E11izanerH Mirpanxk ANDERSON. 


FRANCESCO PAOLO MICHETTI 


Iranian: 1852— 


14—THE TURKEY GIRL 


Height, 26 inches; length, 391% inches 


A pretty Italian peasant girl tending her flock of turkeys in an olive 
orchard has been caught by a young man near the foot of one of the 
wide-spreading trees, and holding her tight he is trying to kiss her. 
The turkeys, quite undisturbed by the vigorous lovemaking, are seen 
coming forward in the immediate foreground, the gobblers spreading 
their wings and ruffling their glowing red necks. Beyond the orchard 
are buildings and a glimpse of the sea and an evening sky completes 
the idyl. 

Signed at the lower left, F. Micurerti, and dated 776. 


From the famous W. H. Stewart Collection, New York, 1898; Cata- 
logue No. 60. 


Property of the Estate of the late ExizanerH Mirpank ANDERSON. 


ROSA BONHEUR 
Frencu: 1822—1899 


15—A LORD OF THE FOREST 
(Water Color) 
Height, 251% inches; length, 28 inches 


In the centre of the composition and arresting the eye by his graceful 
and impressive pose stands a handsome stag, his body seen in side view 
and his head crowned with splendid high-reaching antlers turned to 
face the spectator. The environment is in keeping with the lordly 
animal as it shows a well cared for park land or wood with fine trees 
standing in herbage and casting shadows under bright autumn sun- 
light. 

Signed at the lower right, Ross BonHEUR. 


Property of EuGENE GLAENZER & Company, of Paris and New York, 
in liquidation. 


FRANZ VERHAS 
Fiemisu: 1827—1897 


16—THE TREASURE CABINET 
(Panel) 
Height, 34 inches; width 2314 inches 


A FULL-LENGTH, standing figure of a lady wearing a pale green kimono 
with pattern of birds and flowers, her head inclined to left as she looks 
at a chased silver cup which she holds up before her with her right 
hand. Her left hand rests on the back of a gilt chair and in front 
of her, on the left of the picture, is a carved wooden armoire, with one 
of its doors standing open, from which she has taken the cup. In the 
richly furnished room a marble mantelpiece is seen on the right. 


Signed at the upper right centre, Franz Veruas, and dated 1881. 


Property of a Private Owner. 


GASTON LA TOUCHE 
Frencu: 1854—1913 


17—_LOV ERS 
(Pastel) 
Height, 31 inches; width, 181% inches 
OxBsERVED nearly at full-length, a Titian-haired young lady with figure 
in profile to right and her fair face turned forward, as her head is 
poised over her right shoulder, and a young man facing left, three- 
quarters front, in whose embrace she is. He bends to kiss her; she 


interposes gently, a raised hand just at his lips. She wears a brown 
skirt and her waist is of a soft bluish-white suggestion. 


Sgined at the lower left, Gastron La Toucue, 93. 


From the Dr. Leshe D. Ward Sale (under the title “Thwarted’’), 
January, 1911; No. 6. 


Property of KucENE GuaEnzer & Company, of Paris and New York, in 
liquidation. 


ANTONIO CASANOVA Y ESTORACH 
SpanisH: 1847—1896 


18—_IN THE STUDIO 
Height, 214% wches; length, 32 inches 


THE scene is a sumptuously furnished studio with tapestries on the 
walls and arious “properties,” including a collection of costumes 
heaped in disorder on a carved chest. On the right the artist is seated 
at his easel with two visitors beside him, and at left is another group 
composed of two ladies and a friendly friar. 


Signed at the lower left, A. Casanova, and dated, Paris, 1878. 


Property of a Private Owner. 


ALFRED STEVENS 
Bewician: 1828—1906 


19—ON THE TERRACE 
Height, 3984 inches; width, 26 inches 


A navy whose dress of white tinged with pink is of the mode of the 
eighties and whose black hat is ornamented by a single blossom, stands 
on a terrace in the foreground with her left hand resting on the low 
enclosing wall. Her face is comely and her attitude is full of grace. 
Occupying the central portion of the composition is a view from the 
terrace of the sea, with boardwalk and promenaders at left and, at 
right, cliffs and green hills; overhead, a sky of warm gray-blue. 


Signed at the lower left, A. Stevens, and dated 1882. 


Property of the Estate of the late Ex1izaserH Mirpanx ANDERSON. 


RAIMUNDO DE MADRAZO 
SPANISH: 1841—1920 


20—YOUNG GIRL IN DIRECTOIRE COSTUME 
Height, 421% inches; width, 23 inches 


A THREE-QUARTERS-LENGTH, life-size, standing figure of a young girl of 
brunette type, the head in full face and the hands lightly clasped, 
wearing a directoire costume with black bodice faced with pink, white 
skirt, blue sash and wide-brimmed black hat with pink bow and white 
feathers. 


Signed at the upper right, R. Maprazo. 


Property of the Estate of the late ExizAanpetrH Mrtpanxk ANDERSON. 


FELIX ZIEM 


Frencu : 1821—1911 


21—_V ENICEH 
(Panel) 
Height, 14% inches; length, 25 inches 


Ar right the gray Priggione comes to view, above the crowded crim- 
son, orange and brown sails of boats massed before it, and beyond it the 
Doge’s Palace presents its rose fagade, with the Campanile towering 
above, before a sky of dense blue. Beyond the Molo the city buildings 
recede indefinitely, as the spectator looks up the Grand Canal, and 
well in the distance the Dogana and the Salute appear on the left. 
Forward on the left are seen the masts of sailing craft, and in the 
foreground a gondola is crossing the water. 


Signed at lower left, ZreM. 


Property of the Estate of the late ExizanerH R. Spracusr, Boston, 
Massachusetts. 


ERNEST LAWSON, N.A. 


AMERICAN: 1873— 


22 THE GATEWAY, SEGOVIA 
Height, 1814 inches; length, 2184 inches 


Near the central middle-distance the gray arch of the gateway and 
its creamy quadrangular tower with red-brown roof stand out in bright 
sunshine, under a brilliant sky. To right, before them, a high wall, full 
of many colors, to left the buildings of the city atop a hillside which 
is as colorful as the opposite wall, and in the foreground between these 
highly chromatic masses a roadway, creamy yellow and buff, and in it 
some leisurely figures in the broad sunlight. 


Signed at the lower left, HK. Lawson. 


Property of a Private Owner. 


MARTIN RICO 
SpanisH : Before 1850—1908 


23—VEHNICE 
Height, 20 inches; length, 27 inches 


A CHARMING spot in Venice where a street leads into a small square 
in the centre of which stands the famous equestrian statue of Colleoni 
by Verrocchio, and is bordered in the foreground by a canal. On the 
left are the walls and dome of a church and, at right, houses and shops 
along the street and the green foliage of a few trees. Above, with the 
statue on its pedestal in bold relief, is a sky of tempered blue. This 
example of Rico, while embodying his well known qualities of pic- 
turesque treatment, is notable for a certain severity of style that makes 
of it a work of exceptional charm. 


Signed on the wall at right, Rico. 


Property of the Estate of the late Exizaneru MitBANk ANDERSON. 


HENRI JOSEPH HARPIGNIES 
Frencu: 1819—1916 


24—_LANDSCAPE: SUNSET 
Height, 191% inches; length, 24°4 inches 


A LANDSCAPE of great dignity as well as charm in which the rich foliage 
of large trees, on the right, is balanced by similar masses at left. 
Beyond a sloping foreground of herbage and boulders, between the 
groups of trees, over a stretch of country, appears the lower part of 
the sky with tempered tints of pink and yellow. Higher up the sky 
is gradated with the same subtle warmth into modified blue. 


Signed at the lower left, H. Harvicnizes, and dated ’98. 
From Boussod, Valadon & Co. 


Collection of John W. Simpson, New York. 


Property of EuceENE GLAENZER & Company, of Paris and New York, 
in liquidation. 


JACOB MARIS 
DutcH: 1837—1899 


25—THE BRIDGE 
(Water Color) 


Height, 9 inches; length, 11 inches 


A scENnE in the docks of a Dutch port with a man propelling a barge 
in foreground; walls on left and right enclosing basin which is crossed 
by a bridge near middle of picture; early evening sky of fine grays 
accented by pale warm tints. 


Signed at the lower left, J. Maris. 


Property of KucENE GuaEnzeR & Company, of Paris and New York, 
an liquidation. 


J. AND M. MARIS 
JACOB Maris Matrruys Maris 
Dutcu: 1838—1899 Dutcu: 1839—1917 


26—THE LUXEMBOURG GARDENS 
Height, 7% inches; length, 91% inches 


In the foreground a corner of a terrace with marble balustrade, and 
statues on pedestals guarding steps to a lower level, one supporting a 
jardiniere of flowers in bloom. Brown and green branches of a tree 
overspread the stairs, and with the nearer statue throw into shadow a 
small figure seated on a coping ledge, while sunshine lights the terrace 
and brings into relief a young woman and a child with a toy balloon 
standing opposite at the balustrade. Below in the middle-ground the 
green lawns of the Gardens, brilliant in sunshine, and a fountain play- 
ing, and in the distance buildings of the city grayish in shadow and with 
sunshine flashing from their roofs. 

Signed at lower right, J. Maris. 


Property of the Estate of the late Dr. Francis P. Spracuer, Boston, 
Massachusetts. 


JEAN BAPTISTE JOSEPH PATER 
Frencu: 1695—1736 


27—-LA HALTE 
Height, 91% inches; length, 12% inches 


A composition of many figures, men, women and children, and others 
arriving in a covered wagon, observed in a clearing with ancient woods 
at either side, where tents are pitched. The principal figures include a 
horseman, men in ancient dress with swords and carrying guns, and a 
lady with an infant in arms and another.child standing by her side. 
At right and left others are variously engaged or idling. The costumes 
of all are in varied soft tones. In the distance a tower. 


From the collection of Sir William Throckmorton, and a companion 
picture to the one which at the famous Doucet sale sold at 110,000 
francs. 


Property of EucENE GLAENZER & Company, of Paris and New York, in 
liquidation. 


CHARLES EMILE JACQUE 
FrenNcH: 1813—1894 


283—HORSH AND SHEEP IN PASTURE 
( Panel ) 
Height, 644 inches; length, 84% wmches 


Aw excellent small example distinguished by the presence of a white 
horse near the middle of the picture cropping grass. At left, in the 
shade of trees, a shepherd and sheep; a pool in foreground; windmill 
in distance; fine sky of gray clouds. 


Signed at the lower right, Cu. J. 
Collection Galerie Georges Petit, Paris. 


Property of EucENE GLAENZER & Company, of Paris and New York, 
in liquidation. 


ALEXANDRE GABRIEL DECAMPS 


Frencu: 1803—1860 


29—DUCK SHOOTING 
(Water Color) 
Height, 124% inches; length, 18 inches 


THREE men and two dogs in a swampy country with reeds, water and 
water gate, flats beyond and sky of gray clouds. High up one duck 
is seen falling and others are flying away. 


Signed at the lower left, DEcAmMps. 


From Boussod, Valadon & Co. 


Property of EucENE GLAENZER & Company, of Paris and New York, 
im liquidation. 


PIERRE ETIENNE THEODORE ROUSSEAU 


Frencu: 1812—1867 


30—LANDSCAPEH 
(Panel) 


Height, 744 winches; length, 944 inches 


AutuMN browns, varying from reddish iron-rust to deep seal and al- 
most to black, and relieved by an occasional note of red, make up the 
colors of earth and herbage in a more or less level stretch of wild 
land. A straggling path, worn and hardened to a lighter note, wanders 
along the edge of a short but dense wood which stands on the right, 
green as to its higher leafage, and brown in the lower brush. At a 
certain distance the land declines and falls away, leaving a corner of 
the woods on the right of the path and detached trees on the left of 
it strong in silhouette before a sky of creamy, white and gray clouds, 
with a bluish suggestion back of them. In the left middle-ground the 
suggestion of a kneeling fagot gatherer. 


Signed at the lower right, TH. Rovussrav. 


Collection of the late Royal Crocker, Boston. 
Purchased from Frank W. Bayley & Son, Copley Gallery, Boston. 


Property of the Estate of the late Dr. Francis P. Spracur, Boston, 
Massachusetts. 


NARCISSE VIRGILE DIAZ DE LA PENA 
Frencu: 1807—1876 


31—LA CHATELAINE 
(Panel) 


Height, 1614 inches; width, 12°84 mches 


A croup painting of five figures, accompanied by two dogs, assembled 
in the foreground beside a gnarled tree of mahogany-brown trunk and 
a modicum of fused green foliage, which stands at the left, while high 
at right in the background the gray towers of a castle appear above 
a green hill. The lady, in a décolleté gown of blue and white, with 
silver trimmings on the blue, is supported by a youth in topaz and sil- 
ver-gray on her left, and by an older, bearded man in scarlet on her 
right, and the plumed chapeaux of the three are respectively white, 
mauve and red. The lady has a creamy complexion and rich Titian 
hair. At her side are a girl in pink and a boy in bluish-gray. 


Signed at the lower right, N. Diaz, 64. 


Purchased from Messrs. Durand-Ruel, Paris. 


Property of the Estate of the late Dr. Francis P. Spracur, Boston, 
Massachusetts. 


CHARLES FRANCOIS DAUBIGNY 


Frencu: 1817—1878 


32—LANDSCAPE AND STREAM: 
THE WASHERWOMAN 


( Panel ) 
Height, 914 inches; length, 19%. inches 
In the foreground, the shallow waters of a quiet stream with some 
women, in left centre, on the bank washing clothes; groups of trees at 


right and in middle distance; wooded hills beyond and sky of tempered 
blue-gray with one or two white clouds. 


Signed at the lower right, Davupieny. 


Purchased from Boussod, Valadon & Co., Paris. 
Collection of Benjamin Perkins. 
Collection of E. S. Burke, Jr. 


Property of EvcENE GLAENZER & Company, of Paris and New York, 
in liquidation. 


JEAN BAPTISTE CAMILLE COROT 


Frencu: 1796—1875 


383—LA TOUR DE CRECY, PRES ESBLY 


Height, 20 inches; length, 24 inches 


Oxe of the “silvery Corots,” engaging in surface quality as in charm 
of composition—a landscape at once pastoral and sylvan, with a 
delicately analyzed play of sunlight on the greens of lawn and rough 
field and willowy foliage. At left in the foreground a bend of a stream, 
and a peasant in a punt there, drawn up at the foot of a group of 
pollards, with rugged trunks and feathery leafage. Beyond stream 
and trees the quadrangular tower of a gray church, which the foliage 
largely obscures. To right other pollards and a level sunny green, 
under the lightly clouded sky of a fair day. 


Signed at the lower left, Coror; at lower right, stamp of 
the Vente Corot; on stretcher, seal of the Vente Corot. 


From the Estate of Mrs. Saran B. Conxunec, Sale of Valuable Modern 
Paintings, New York, February, 1905; No. 146. 


Property of a Private Owner. 


NARCISSE VIRGILE DIAZ DE LA PENA 


Frencu: 1807—1876 


34_THE PAGODA 


Height, 17 inches; length, 2124 mches 


Wiru its white walls shining in sunlight and trees bending over its 
roofs a pagoda stands on the edge of a pool, in the foreground, the 
water reflecting the white surfaces and some of the bright tints of the 
draperies of a group of women of the Orient on the porch. In the 
distance a stretch of country with hills ; blue sky with some white clouds. 


Signed at the lower right, N. Dtaz. 


Purchased from Boussod, Valadon & Co., Paris. 


Property of EuGENE GLAENZER & Company, of Paris and New York, 
in liquidation. 


CHARLES FRANCOIS DAUBIGNY 
Frencu: 1817—1878 


35—LANDSCAPE: FARM BY THE RIVER 
( Panel ) 
Height, 1114 inches; length, 21 inches 


A stretcH of the French countryside bordering a river, its rich ver- 
dure gilded by sunshine and softened in shadow, the stream pale blue 
under a turquoise sky and green with the reflections of its surroundings. 
At left gray, creamy and reddish cottages with thatch roofs, and on 
the sloping bank before them a woman, a cow and some ducks. Another 
woman washes linen at the water’s edge, and farther off a man in a 
boat. Bushy trees are in the distance, and two tall poplars point to 
the zenith from among the cottages. 


Signed at the lower left, Daunteny, 1869. 


Property of KuGENE GLAENzER & Company, of Paris and New York, m 
liquidation. 


CHARLES EMILE JACQUE 


Frencnu: 1813—1894 


36—THE SHEEPFOLD 

Height, 181% inches; length, 261 mches 
Aw excellent and characteristic example depicting a flock of sheep, 
twenty or more in number, in the fold, most of them eating at the 
racks while others are reposing in the straw. Water tubs and a white 


hen at left, a doorway in the gray walls above the racks. Notable 
throughout for masterly rendering. 


Signed at the lower left, Cu. JACQUE. 


From Boussod, Valadon & Co., Paris. 


Property of Euc—ENE GLAENZER & Company, of Paris and New York, 
in liquidation. 


CONSTANT TROYON 


Frencu: 1810—1865 


37—THE NORMANDY OX 


Height, 174% inches; length, 23% inches 


A FINE, well-fed ox, dark red with white points, seen in side view in 
the foreground, is passing to left through a ravine which probably 
leads to a watering place. Over his back we see an orchard and pasture 
with a peasant farmer. a stick in his hand, coming forward and some 
cows pasturing. 


Signed at the lower left, C. Troron, and dated 1855. 


From the collection of the late Oliver Ames, Boston. 


Property of EvGENE GLAENZER & Company, of Parts and New York, 
in liquidation. 


CHARLES FRANCOIS DAUBIGNY 


Frencu: 1817—1878 


388—_ETANG DE GILLIEU, 
DAUPHINE: SOLITUDE 


(Panel) 
Height, 16 inches; length, 26% inches 


Grass and water plants give a narrow foreground border to a shallow 
pool on the by-water of a stream, and several crane appear among 
them at the evening feeding hour. At the further side of the water 
green hills slope to its edge on the right and left, while from a central 
hollow between the hills rise green trees whose reflections are mirrored 
in the stream. Beyond hills of the distance, a sky of darkening gray, 
with rose and mauve tinges lingering at the horizon. 


Signed at the lower right, Dausieny, 1876. 


Property of the Estate of the late Dr. Francis P. Spracunr, Boston, 
Massachusetts. 


JEAN BAPTISTE CAMILLE COROT 


Frencu: 1796—1875 


39—THE POOL 


Height, 16 inches; length, 2144 inches 


Busuy willows in the middle distance, in a receding line from the left, 
flank a cottage which is but obscurely seen between them, and connect 
with a line of trees on the right rising out of the picture. The sun is 
high, and its light infiltrates the fluffy green foliage and silvers the 
grass, where a red cow and a black one with a white face are grazing, 
and it glints from wildflowers, red, yellow and white, dotting the grass 
in the foreground. Between the tree lines a pond is gray and silver, and 
at its nearer end a pollarded willow stands, detached, and by the 
water’s edge beneath it a woman in scarlet and rose and with a yellow 
cap is seated on the ground. 

Signed at the lower left, Coror. 


Collection Ottoz, Paris (Corot’s colorman and an intimate friend). 
Collection of Shepherd Brooks, Boston. 
Purchased from R. C. Vose, Boston. 


Property of the Estate of the late Dr. Francis P. Spracur, Boston, 
Massachusetts. 


NARCISSE VIRGILE DIAZ DE LA PENA 


Frencu: 1807—1876 


40—LA VISITE AUX PAUV RES 


Height, 29 inches; width, 231% inches 


A composition of sixteen figures depicting a lady wearing a gown of 
light blue with her son, richly dressed, beside her, accompanied by 
ladies and gentlemen of her suite, descending a slope and about to 
pass between two women, in the foreground on either side and both 
seated. The landscape setting comprises a peaked hill and trees with 
a sky of clouds and blue. Many tints—pink, blue, brown, red, white 
—in the costumes are harmonized in a brilliant ensemble. 


Signed at the lower left, N. Diaz, and dated 1862. 


Property of EvGENE GLAENZER & Company, of Paris and New York, 
in liquidation. 


JEAN BAPTISTE CAMILLE COROT 


Frencu: 1796—1875 


41—PAY SAGE 


Height, 22 inches; width, 1844 mches 


Art right and left are tree-crowned knolls, marking edges of a wood, 
the foliage at either side dense, while the clearing of a slight hollow 
between the knolls opens a vista to a far horizon and to white and 
creamy clouds banked and billowing in a sky of pale turquoise-blue. 
To left of the hollow and midway of the gentle slope of the mound a 
birch sapling, standing detached, relieves by the silvery-white of its 
bark the soft depths of green of the neighboring dense leafage. In 
the cleared, rough and uneven foreground the tones of earth and herb- 
age are soft brown and yellow and green, and a sylvan quiet and the 
balmy atmosphere of summer, or of early autumn, pervades the clear- 
ing. Here, at left, a peasant woman stands holding an infant to her 
shoulder, and a woman beside her kneels to gather something from the 
ground. 


Signed at the lower right, Coror. 
Purchased from Messrs. Durand-Ruel, Paris. 


Property of the Estate of the late Dr. Francis P. Spracux, Boston, 
Massachusetts. 


JULES DUPRE 


Frencu: 1812—1889 


42M ARINE: FISHING BOATS 


Height, 2344 inches; length, 27 inches 


On a tossing, white-capped sea two fishing boats are seen in the lower 
center of the picture making headway with sails well filled by a 
snapping breeze. On the horizon, a white sail makes a telling accent 
against the dark clouds which fill the sky on the left, and other cloud 
masses of varied grays and spaces of strong blue above them form an 
impressive ensemble. 


Signed at the lower left, Jutes Dupre. 


Purchased from the late Gustave Reichard, New York. 


Property of KucENE GLAENZER & Company, of Paris and New York, 
in liquidation. 


NARCISSE VIRGILE DIAZ DE LA PENA 


Frencu: 1807—1876 


483—IN THE FOREST 


Height, 2144 inches; length, 29 inches 


Turee female figures, with draperies of blue, yellow, pink and white 
covering the lower part of their bodies, are seen in the foreground 
beside a placid stream in a forest. A spaniel, on the grass in the cen- 
tral foreground, has accompanied them to the bathing place and 
the landscape environment includes trees in early autumn foliage on 
either side of the group of figures, a vista of distance beyond the 
stream and a sky of clouds. 


Signed at the lower left, N. Diaz, and dated ’67. 


Property of the Estate of the late K.izanerH Mitpanx ANDERSON. 


JEAN BAPTISTE CAMILLE COROT 


Frencu: 1796—1875 


44 PA TURAGE: BORD DE SAULES 
Height, 221% inches; length, 27% inches 


Ar right, on the bank of a river where a roadway passes and a few 
figures are seen, willow trees lift their branches covered with silvery 
leaves to the upper part of the picture. Some cows are in the shal- 
lows of the stream in the middle distance and the summer sky is flecked 


with white clouds. 
Signed at the lower right, Coror. 


Described and illustrated in Robaut’s ““L’GQtuvre de Corot,” No. 1118. 
Exposition Centenaire Corot, 1895. (No. 54.) 
Purchased from Messrs. Goupil & Co., Paris. 


Property of the Estate of the late E11izanetH M1Lrpank ANDERSON. 


: 


EUGENE BOUDIN 


Frencu: 1825—1898 


46—SUMMER LANDSCAPE 


Height, 20 inches; length, 2414 inches 


A RARE example of the favorite painter of harbors and ships. A broad 
and level open way appears in an informal park land, its spaciousness 
extending over the entire foreground, its surface gray and broadly 
patched with fresh green grass. Extending back along either side, 
great trees in the rich greens of full summer leafage, meeting in distant 
perspective. At right and left and in the distant centre, women and 
children, strolling. 

Signed at lower left, EK. Bounty. 


Collection of J. Mancini. 
Purchased from R. C. Vose, Boston, Massachusetts. 


Property of the Estate of the late Dr. Francis P. Spracur, Boston, 
Massachusetts. 


JOHAN BARTHOLD JONGKIND 


Dutrcu: 1819—1891 


47—-HOLLAND LANDSCAPE 

Height, 1234 inches; length, 181% inches 
A cana leads from the right foreground into the distance where sey- 
eral windmills are seen; at left, on the bank, the towpath and trees; 
in the waters of the canal a sloop with sails hauled down, and on the 
bank, at right, trees and buildings with red-tiled roofs. The sky is 
composed of clouds of subtle grays and in the upper part is some at- 


mospheric blue. 


Signed at the lower right, Jonaxinv, and dated 1866. 


From the John Levy Galleries, New York. 


Property of a Private Collector. 


FRITS THAULOW 
NorweEcian: 184+7—1906 


48—A RIVERSIDE VILLAGE 
(On Canvas) 


Height, 20 inches; length, 26 inches 


A Broap rippling river flows from distant left to breadth of the fore- 
ground; at right, several red-tiled and blue slate-roofed cottages, 
standing amid ancient trees not yet in leaf and interspersed with apple- 
trees in blossom, cast their many reflections on the limpid stream. 
Overhead is a robin’s-egg blue sky modulated toward the centre with 
flaky white clouds. 


Signed on the lower right, Frirs THauLow. 


D}, : of bor wae . 
Property of a Private Owner. 


FELIX ZIEM 


Frencu: 1821—1911 


49—GRAND CANAL, VENICE 


Height, 22 inches; length, 30 wches 


BLvE-GREEN water, ruffled lightly and full of polychromatic reflections, 
occupies the foreground and sweeps far away to right and a distant 
horizon, which is pinkish beneath a zenith of deep blue. To right in 
the foreground, a gondola in motion, and boats with crimson sails. To 
left in middle distance, a great church in rose and buff and cream and 
blue, adding its color notes to the waters, and other buildings, and 
sailboats in front of them, their line receding to the horizon, 


Signed at lower right, Zim. 
Purchased from Messrs. Durand-Ruel, Paris. 


Property of the Estate of the late Dr. Francis P. Spracve, Boston, 
Massachusetts. 


PIERRE AUGUSTE RENOIR 


Frencu: 1841—1819 


50—VIEW OF ARGENTEUIL 


Height, 211% inches; length, 251% inches 


A sprine landscape of Argenteuil depicting a river flowing around a 
bend near the centre of the canvas and a tower and buildings on the 
farther shore. The foreground consists of grass, herbage and bushes 
and there is a group of trees beyond at right. On the left a group of 
trees with red foliage and overhead a sky of tempered blue. En- 
semble of varied tints harmoniously combined. 


Signed at the lower right, Renoir, and dated ’88. 


Exhibited May—September, 1921, in Metropolitan Museum, New 
York. 


Property of a Private Collector. 


ALFRED SISLEY 
Frencu: 1840—1899 


51—_IN THE GARDEN OF THE CLOISTER OF 
MORET 


Height, 29 inches; width, 214% inches 


A wipk, gravelled pathway occupies the foreground and is bordered by 
masses of bushes, which cross the canvas, all in full sunlight. At left, 
a paling barrier and, rising above it, the spreading branches of a tree. 
Over the tops of the shrubbery are seen the upper walls of a church 
and the red tile roofs of neighboring houses. Over all is a sky of 
tempered blue. The wife of the painter occupies the centre part of 
the picture. She is seated on a garden-chair, reading, and a parasol 
is protecting her from the bright sunshine. 


Signed at the lower right, Sistey, and dated ’83. 


Reproduced in Theodore Duret’s “The Impressionists.” 
Purchased from Messrs. Durand-Ruel, Paris. 


Property of a Private Collector. 


CAMILLE PISSARRO 
Frencu: 1830—1908 


52—ENVIRONS OF PONTOISE 


Height, 29 inches; width, 231% inches 


Lerapine from the right foreground is a roadway bordered by trees in 
summer foliage and on it are two peasants, a man and a woman. In the 
middle distance are the houses of a village. The sky is composed of 
broken gray clouds, distinguished throughout by quiet harmonies of 
color. 

Signed at the lower right, C. Pissarro. 


Purchased from Messrs. Durand-Ruel, Paris. 


Property of a Private Collector. 


ALBERTO PASINI 


Iranian: 1826—1899 


5383—W AITING FOR THE CHIEF 


Height, 32 mches; width, 26 mches 


Berore the arched doorway of a marble building in the East stands 
an attendant holding the bridle reins of a fine chestnut saddle horse 
while grouped together on the right of the picture is a company of 
mounted men, some of them with lances held upright and including one 
who is seen in back view and who wears a white turban and a red 
cloak. 


Signed at the lower left, A. Pastyi, and dated 1883. 


Property of a Private Owner. 


ig me or arc rni n 


- Ou Se 


FELIX ZIEM 


Frencu: 1821—1911 


54—ON THE GRAND CANAL, VENICE 
( Panel) 
Height, 22°4 inches; length, 314% mches 
THe Palace of the Doges, St. Mark’s, the Campanile and other struc- 
tures are seen in the middle distance on the borders of the canal, the 
waters filling the foreground. On the right are houses and a landing 


place, vessels and gondolas, the whole in gentle sunlight under a sky 
of modified blue. A picture of stately charm. 


Signed at the lower right, Zire. 
From Boussod, Valadon & Co., Paris. 


Property of EvGENE GLAENZER & Company, of Paris and New York, 
wm liquidation. 


ADOLPHE JOURDAN 


Frencu: 1825—1866 


55—AN INTERESTING CHAPTER 


Height, 82 inches; width, 26 inches 


Hatr-Leneru, seated figure of a young girl with blond hair, in side 
view to left and with head inclined, wearing gray dress with white 
fichu. On her lap is a large open book and in her hands, resting on the 
farther page, are her knitting needles and the work she has been busy 
with up to the moment depicted when as shown by the direction of her 
eyes she has stopped to read. 


Signed at the lower left, A. JouRDAN. 


Property of a Private Owner. 


LUDVIG MUNTHE 


Norwecian: 1841—1896 


56—WINTER IN THE FOREST 

Height, 21 inches; length, 35 inches 
Larce beech trees, with their bare branches in the upper part of the 
canvas, stand in the snow-covered foreground and the wood extends 
beyond to where it meets an evening sky suffused with yellow light 


and varied by clouds of gray. In the central foreground a little 
dachshund is picking his way through the snow. 


Signed at the lower right, L. MunrtTHE. 


From the Henry T’. Cox Sale, January, 1902; Catalogue No. 53. 
Property of the Estate of the late E1izanerH MitBank ANDERSON. 


(See illustration on opposite page) 


ERNEST LAWSON, N.A. 


AMERICAN: 1873— 


57—_THE LAKE 


Height, 25 inches; length, 30 inches 


A tow foreground shore, its green herbage spotted with yellow and 
brown, supports a fringe of slender saplings, whose light leafage only 
enhances the spectacle and the charm of the lake lying beyond them 
—-its ruffled waters a maze of reflections in the verdant notes of the 
background hills. On the hill slopes and alongshore at their foot, old 
houses and other farm buildings, in a softened sunlight under a color- 
ful and breezy sky. In a cove in the foreground an anchored boat. 


Signed at the lower left, KE. Lawson. 


Property of a Private Owner. 


GEORGE INNESS, N.A. 


AMERICAN: 1825—1894 


58—PASSING SHOWER 


Height, 20 inches; length, 30 inches 


Broap pasture lands are gray-green and yellowish, and almost level, 
over the greater area of the picture, extending far away on the left 
and in the central distance. In the foreground and rising gently as it 
recedes toward the right the earth and most of its herbage is brown. 
with patches of rich green. Here a large flock of sheep is watched by 
its shepherd, in a blue coat, who is seated on a hillock. In the sky but 
a corner of blue appears, the rest a mass of gray and white clouds 
and of black shower clouds, drifting away. 


Signed at the lower right, G. Inness, 1875. 


Property of the Estate of the late E1izanern R. Spracur, Boston, 
Massachusetts. 


EDWIN AUSTIN ABBEY, N.A., R.A. 


AMERICAN: 1852—1911 


59—A FLORENTINE LADY 


Height, 26 inches; width, 21 inches 


FULL-LENGTH, seated figure of a blond young woman wearing an ample 
gown of red with wide, hanging sleeves; her head in contemplative 
attitude resting on her left hand and her right hand on a lute which 
she holds beside her chair. Background of pale blue curtain. 


Signed at the lower left, E. A. ABBEY. 


Property of the Estate of the late KtizanerH MiLtpanx ANDERSON. 


JOHN SINGER SARGENT, N.A., R.A. 


AMERICAN: 1856— 


60—A GIRL OF CAPRI 


Height, 30% inches; width, 251% wmches 


A youne peasant girl of Capri, wearing dark blue bodice, white blouse 
and pink skirt, is seen standing in back view as she leans against the 
bent trunk of an olive tree. Her head is turned to the right so that 
her face appears in profile. The setting for this graceful figure com- 
prises a stone wall, enclosing the orchard, and foliage beyond. Marked 
by the skilful treatment of the celebrated artist. 


This painting was exhibited by Mr. Sargent at the Second Annual Exhibition of 
the Society of American Artists, New York, 1879, and was purchased by the late 
Daniel Cottier. 

At the time the above picture was exhibited in the Ichabod T. Williams Collec- 
tion the late Carroll Beckwith, N.A., stated that “the model was the famous beauty 
‘Rosina of Capri,’ who afterward married very brilliantly a distinguished artist.” 
In 1878, when Mr. Carroll Beckwith came home to America to begin his artistic 
career, Sargent went to Capri and painted the above picture and wrote to Mr. 
Beckwith describing the beautiful model and mentioned this particular picture. 


Signed at the lower right, JoHN S. SARGENT, and dated 
Capri, 1878. 


From the Ichabod T. Williams Sale, February 8 and 4, 19153 Cata- 
logue No. 101. 


Property of the Estate of the late K1izanerH MitpaAnx ANDERSON. 


JOHN WHITE ALEXANDER, P.N.A. 


AmeErIcAn: 1856—1915 


61—PEONIES 
Height, 48 inches; width, 361% inches 


A PLEASING composition of decorative effect in its combination of 
- green and black in the gown of a young woman and the pink of a 
bunch of peonies over which she is leaning as she lifts from the floor 
the glass bowl in which the blossoms repose. The head of the figure 
with its dark hair is seen in profile and graceful movement is indicated 
by the flowing lines of the gown. 


Signed at the lower left, J. W. ALEXANDER, and dated ’96. 


Exhibited at the Carnegie Institute International Exhibition, Pitts- 
burgh. , 


Property of the Estate of the late E1izanetH MitBpank ANDERSON. 


EMILE CARLSEN, N.A. 


AMERICAN: 1853— 


62—NATURE MORTE 


Height, 26 inches; length, 44 imches 


Own a table of golden notes and before a wall still richer in its hues, a 
large brass dish filled with great yellow-white roses in the full richness 
of their bloom, and relieved by clusters of their green leaves which cling 
to the stems. Before the dish a mandolin with strings down, and near 
by opalescent glasses and a greenish-amber glass ewer and even more 
of the fascinating roses, scattered over the table. 


Signed at the lower left, Emit Carusen, Paris, ’84. 


Property of the Estate of the late ExizanrtrH R. Spracusr, Boston, 
Massachusetts. 


GEORGE HENRY BOUGHTON 


AMERICAN-BritisH: 1834—1905 


63—COLDER THAN SNOW 


Height, 30 inches; length, 60 inches 


‘The winter wind is not more chill 
Than the cold smile they fain would win.” 


On the snow-covered terrace of a castle, proceeding from the great 
doorway on the right, where stands an armored sentinel, is a young 
chatelaine escorted by two gentlemen, walking on either side of her, 
the one on her right with brown fur-bordered cloak being of mature 
age and the other a young gallant in vestments of blue and gold. A 
page follows holding up the lady’s train, with another walking beside 
him bearing her books of hours on a cushion. Descending a stairway 
at left are brown monks leading the way to the city which lies below, 
its roofs and towers mantled with snow. ‘The lady’s face is comely 
but wears no sympathetic expression and the propos of her escorts as 
they take their way to mass seem to he wasted. 


Signed at the lower right, G. H. Boucutron, and dated 1871. 


Property of the Estate of the late E1izanEtrH MiLpank ANDERSON. 


WILLIAM ADOLPHE BOUGUEREAU 


FRENCH: 1825—1905 


64—THE NUT GATHERERS 


Height, 631% inches; width, 45 wmches 


Two young cherry-faced sisters, one dark and one fair, are at the 
edge of a wood, gathering pecan nuts. Both are barefoot, and the 
older, in gray and blue and white and plum-brown, is standing plucking 
the nuts from a slender branch, and dropping them into the already 
well-filled basket held by her kneeling sister, who is in gray, white 
and mahogany brown. They are in a soft, sifted light, and the 
background of foliage varies from dimly lighted leafage to the deep, 
dark shadows of woodland recesses. 


Signed at the lower right, W. BoucuEREAu. 


From the sale of Judge Samuel L. Bronson, 1907, Catalogue No. 35, 
and the James B. Brady Sale, 1918, Catalogue No. 73. 


Property of a Private Owner. 


FRENCH SCHOOL 


EIGHTEENTH CENTURY 


65—PORTRAIT OF A GENTLEMAN 
(Drawing) 
Height, 1014 inches; width, 71% inches 


THREE-QUARTERS-LENGTH portrait of a gentleman with curled wig, 
richly dressed and wearing body armor under cloak and various noble 
orders; body in side view, head three-quarters to left, right hand on 
head of cane. A carefully executed drawing of superior quality. 


Purchased from P. Vigna, Paris. 


Property of EuckENrE GLaEnzeER & Company, of Paris and New York, 
in liquidation. 


RICHARD COSWAY, R.A. 
Bririsu: 1742—1821 


66—PORTRAIT OF THE PRINCESS OF WALES 
(Pencil drawing tinted with water color) 
Height, 11 inches; width, 8 inches 
Sranpine figure of a young lady in side view with head in three- 


quarters to left; white gown and high white hat, powdered hair; land- 
scape background. 


Inscription in pencil on margin at bottom, giving title 
and signature, RicHarp Cosway, R.A., Fecir 1775. 


Purchased from P. Vigna, Paris. 


Property of EucENE GLAENZER & Company, of Paris and New York, 
m liquidation. 


: JOHANNES LINGELBACH 


GERMAN: 1625—1687 


67—-LANDSCAPE WITH FIGURES, 
GOATS AND SHEEP 


Height, 18 inches; width, 1514 inches 
In a pasture, on a plateau high up in the Swiss Mountains, a peasant 
maiden is depicted in the centre foreground milking a white nanny 
goat while a young shepherd with red cap standing beside her pro- 
vides a musical diversion by playing the flute. Near the milkmaid, at 
right, some goats, awaiting their turn, are lying down with a few 


sheep. On the left stands a dead tree and in the distance mountain 
tops rise before a sky of gray-blue with a floating mass of cloud. 


‘Property of EucENE GLAENZER & Company, of Paris and New York, 
in liquidation. 


VAN DE CAPELLE 


Frencu: 1625—1679 


68—NETHERLANDS LANDSCAPE 
Height, 1314 inches; length, 1614 inches 
In the foreground a neck of the sea with sailboats of diverse riggings ; 


wooded opposite shores with church and windmill; in immediate fore- 
ground, on a strip of shore, two figures; high sky of clouds and blue. 


Signed at the lower right, V. CAPELLE. 


Purchased from Wertheimer, Paris. 


Property of Eucene GuaEnzerR & Company, of Paris and New York, 
in liquidation. 


DAVID TENIERS, THE YOUNGER 


FLEemisH: 1610—1690 


69—-LANDSCAPE AND FIGURES 
( Panel ) 


Height, 8 inches; length, 10 inches 


Two peasants and a dog on a road, at right, which leads into the 
distance, where a church and other buildings are seen. In fore- 
ground a high bank with trees and the roofs of a chateau. Sky of 
gray clouds agreeably diversified in form. 


Purchased from J. Bohler, Munich. 


Property of EucENE GuLAENzER & Company, of Paris and New York, 
in liquidation. 


GEORGE MORLAND 
Encuisu: 1763—1804 


70—THE FORD 
(Panel) 


Height, 10 inches; length, 12 inches 


At left in the middle distance of a green countryside, on a summer day, 
a white and cream colored cottage with gables and thatched roof. In 
the midst of rolling, uncultivated brownish land before it, a shallow blue 
stream, and a rough and wandering road crossing it and mounting to 
slightly higher and bush-grown land on the right. An old man on a 
brown horse has paused in the stream to let his horse drink, while his 
two dogs having slaked their thirst run gaily ahead of him to catch up 
with a covered wagon housing gypsies or other travelers, and drawn 
by three horses tandem. 


Signed on a felled tree trunk at lower right, G. M. 


Property of the Estate of the late Dr. Francis P. Spracuer, Boston, 
Massachusetts. 


JAKOB RUYSDAEL 
Dutcu: 1625—1682 


7T1—LANDSCAPE WITH FIGURES 
(Panel) 
Height, 11 inches; length, 1624 inches 


At left the bend of a stream, and off a point of land in the middle dis- 
tance a fisherman in a boat. Short trees with dense foliage and thickly 
grouped mark the land, which reaches to the right, and the principal 
group, at the centre of the composition, is dominated by a veteran of 
rugged trunk, the top of one branch blasted. ‘Two figures recline on 
the grass in a hollow, and a red-coated man on a white horse is ap- 
proaching around a knoll. 


Purchased from Asher Werthewmer, London. 


Property of EucENE GLAENZER & Company, of Paris and New York, nm 
liquidation. 


FRANS VAN MIERIS 
DutcH: 1635—1681 


72—THE VIOLINIST 
(Panel) 


Height, 9 inches; width, 7 inches 
A youne man with long, curling hair, wearing loose upper garments 


of dull red and flat brown velvet cap, seated beside a table on which 
are a music book and a lighted candle, and tuning up a violin. 


Property of KucENE GLAENZER & Company, of Paris and New York, 
in liquidation. 


GERMAN SCHOOL 


FIFTEENTH CENTURY 


73—-MARRIAGE OF THE VIRGIN 
(Panel ) 
Height, 1714 mches; width, 1244 inches 
Brrore the porch of a gray church with red-tiled roof the ceremony 
is depicted, with Mary in blue and Joseph in rose clasping hands and 
receiving the episcopal benediction. The witnesses, men and women, 


are in robes of varied soft colors and the apparel of all has gold orna- 
mentation. A composition of eight figures in a soft diffused light. 


From the Manzi Collection, Paris. 


Property of EucENE GLAENZER & Company, of Paris and New York, m 
liquidation. 


(Illustrated on opposite page) 


ANTONIS MOR (SCHOOL OF) 
(Str Antonio Moro) 


DutcH: 1512—1578 


74—PORTRAIT OF A GENTLEMAN 
(Panel) 
Height, 20 inches; width, 1744 wmches 
Heap and bust portrait of a gentleman in finely wrought armor, the 


head in three-quarters to left; dark hair, mustache and beard; narrow 
white ruff, emblem of the Golden Fleece pendent by red ribbon. 


Property of Eucene GuaenzeR & Company, of Paris and New York, 
in liquidation. 


‘7 


ALONZO SANCHEZ-COELLO 
SpanisH: 1515—1595 


75—PORTRAILIT OF A PRINCE 
(Panel) 
Height, 18% inches; width, 14 inches 


Heap and shoulders portrait of a light-complexioned young man, with 
extremely blond mustache and chin beard just asserting themselves, 
and with rosy cheeks and large dark eyes, and hair bordering upon 
the golden. He faces slightly to the right. He wears a semi-trans- 
parent ruff of sinuous loops, and armor with highly ornate gold em- 
bellishment, and the order of the Golden Fleece. Dark neutral back- 
ground. 


From the Manzi Collection, Paris. 


Property of Eugene GLaEnzerR & Company, of Parts and New York, in 
liquidation. 


ANTONIS MOR 
(Str Antonio Moro) 


DutcH: 1512—1578 


76—PORTRAIT OF A LADY 
Height, 44% inches; width, 254 inches 
(Companion to No. 77) 
THREE-QUARTERS-LENGTH, standing, portrait of a lady in nearly full 
face; coiffe, ruff and sleeves of white; black gown, heavy gold girdle; 


left hand dropped at side and holding bag; right hand touching medal- 
hion at bottom of bodice; dark background. 


Purchased from F,. Bohler, Munich. 


Property of KucENE GLAENZER & Company, of Paris and New York, 
in liquidation. 


ANTONIS MOR 


(Str AntToNIO Moro) 


Dutcu: 1512—1578 


77—PORTRAIT OF A GENTLEMAN 
Height, 45 inches; width, 2534 inches 
(Companion to No. 76) 
THREE-QUARTERS-LENGTH, standing, portrait of a gentleman, body to 
front, head three-quarters to right; brown closely cropped hair, blond 


mustache and beard; black costume, white ruff at neck and the same 
at wrists; right hand resting on balustrade and left holding gloves. 


Purchased from J. Bohler, Munich. 


Property of EKuGENE GLAENzZER & Company, of Paris and New York, 
in liquidation. 


NICOLAS DE LARGILLIERE 


Frencu: 1656—1746 


78—PORTRAIT OF A GENTLEMAN 


Height, 53% iches; width, 41 inches 


THREE-QUARTERS-LENGTH, seated, portrait of a gentleman, about 
thirty-five, head in three-quarters to left; high, white curled wig, blue 
and gold embroidered cloak over right shoulder, lace neck ruffles and 
cuffs; right hand at hip, left arm resting on pedestal. 

Originally purchased from Boussod, Valadon & Co., Paris. 

From the collection of Benjamin Perkins. 


From the collection of S. E. Burke, Jr., Cleveland. 


Property of KucENE GuLAaENzER & Company, of Paris and New York, 
in liquidation. 


LOUIS VALLEE 
Dutcxu: 1700— 


79—PORTRAIT OF A GENTLEMAN 
Height, 53 wmches; width, 44 inches 


THREE-QUARTERS-LENGTH, seated, portrait of a gentleman about forty, 
dressed in black, large black hat, head to left in nearly full face, slight, 
blond mustache and goatee; white collar with cord and tassel, white 
ruffs at wrists; left hand on table, right hand at hip holding gloves ; 
architectural background. 


Indistinct signature and a date on the waimscot to the right. 


Purchased from Boussod, Valadon & Co., Paris. 
Described and illustrated in “Les Arts,” April, 1911. 


Property of EucENE GLAENzER & Company, of Paris and New York, in 
liquidation. 


AN UNKNOWN ARTIST 
Louis VALLE 


“To-day, a name which was unheard of yesterday, suddenly appears in the history 
of Dutch art, and at once demands our homage with particular authority. This artist 
becomes known to us through a painting which for many years was hidden away in 
England, then returned to its native land for a brief instant, after which it passed 
through the hands of a Parisian expert, and finally emigrated to America. On the 
opposite page is a reproduction of the painting. It represents a male figure, of 
natural height, admirable in psychological penetration, and beauty of composition, 
and in every way worthy of our richest museums. An inscription appears in the 
corner of the painting which we take to be Vallé (or Vallée), the title of this article. 

“Who is this new-comer? 

“No dictionary mentions his name; Wurzbach’s ‘Niederlaendisches Kiinstler- 
Lexicon, which publication is in course of completion, and which is at the present 
moment the best and most complete source of information available regarding Dutch 
artists, does not mention him. It seems (but there is no authority to support this) 
that a certain Louis Vallé was a pupil of Rembrandt, and that besides his painting, 
he worked as a carpenter for his livelihood; just as Jan Steen was an inn-keeper, 
and that he was a ‘sergeant’ on board a sail-boat bound for India. And that is all. 
If, perchance, some erudite has in his possession documents containing information 
on this artist, may these few words help bring them to light, and so complete the 
reparation due to this great artist, this mysterious Vallé. 


[Continued 


[ No. 78—Continued | 

“For—our readers cannot deny it—we are concerned indeed with a great painter, 
one who is not an imitator of Rembrandt merely, as so many of his pupils were, 
but an original creator, anxious above all for the truth, and who is the equal, at 
least, of his fellow-artists, Ferdinand Bol (whom he excels in penetration), or Fictoor. 
It is true that there is lacking here that magic atmosphere in which Rembrandt 
seems to bathe his subjects, and about which, to use Fromentin’s expression,— ‘there 
is an indefinable something of the other world which makes the present one seem 
cold and grow pale beside it:’ but the keenness of observation, the intensity of life, 
the sweeping strokes, the beauty of the composition, which one feels is soft and 
rich, all the characteristics of a great artist, where can one find them more completely, 
more in abundance, if not here? We are concerned with an artist, who is not only 
accustomed to the difficulties to be met with in his work, for he is complete master 
of his brush, but—and this is no less essential for a portraitist—with one who is a 
keen observer, well trained, taught to scrutinize and search for the inmost, hidden 
truth, from external appearances. Less skilled, indeed, than Frans Hals, but in 
his order and simplicity, his deep and touching manner, consider and admire how 
he has made the features, lacking in beauty, express bright intelligence, and made 
us see, in this Dutch bourgeois, a man of means, but without vain display or self- 
conceit, a pleasant looking man, mentally alert, prudent in judgment, probably the 
founder or ‘regent’ of some hospital: the high vaulted gallery and building resem- 
bling a chapel which can be seen through the bay window of the room where he is 
standing, would warrant this supposition. Notice, too, the sombre distinction in the 
arrangement of the picture, in the pose and dress of the figure, where the broad 
and delicate strokes of white showing the lingerie collar and cuffs just relieve the 
severity of the dark garments, which are a rich and soft black, according to those 
who have seen the original. The excellent photographic reproduction which we see 
here enables us to guess at the harmony in values, the richness of the composition, and 
must afford an unusually fine treat to amateurs in good painting. The more one 
studies the picture, the more it grows on one. Since this striking figure was revealed 
to us, and we study it trying to fathom the provoking enigma there concealed, we 
discover deeper beauty in it day by day. And so we appreciate the thought of the 
dealer who had the painting in his possession for a short time: although he was 
used to parting with treasures, the thought of this painting still haunts him, and 
he admits he regrets having let it go. 

“All this but arouses our curiosity the more, and the question we asked our- 
selves, a little while ago, returns more insistently, and we write: Who is Louis 
Vallé? and who will give us the information which we have a right to desire con- 
cerning so great an artist.” 


(Translated from the French of Avcusre Marcuit1ier.) 


Les Arts, April, 1911. American Edition. 


NATTIER (SCHOOL OF) 


80— ALLEGORY 


Height, 22 inches; length, 48 inches 


(Companion to No. 81) 


A DECORATIVE composition of four figures, the principal group formed 
by a young woman, at the foot of a tree, a cupid nearby and a young 
man prone in the foreground. Their attitudes are expressive of grief. 
At left, in clouds, a martial god with shield and sword, and in centre 
_two flying swans. Color notes of pink, blue, white and green. 


Property of Eucens Guarnzer & Company, of Paris and New York, 
im liquidation. 


NATTIER (SCHOOL OF) 


81—_ALLHGORY 
Height, 22 mches; length, 48 inches 
(Companion to No. 80) 


A DECORATIVE composition with two principal figures, a young woman 
seated and a young man on bended knee beside her and five cupids. At 
left, a winged figure in flight, with shining star, at whom one ef the 
cupids is shooting an arrow. 


Property of KucENE GLAENZER & Company, of Paris and New York, 
im liquidation. 


BOUCHER (SCHOOL OF) 
Francois BoucHER 
Frencu: 1703—1770 


82—LES PEHETITS OISEAUX 
Height, 31144 inches; length, 5114 wmches 


(A companion to No. 83) 


DecoraTIvE panel depicting an amorous youth beside a maiden fair 
and beguiling, to whom he has brought some nestlings which she holds 
somewhat diffidently as she regards them. The youthful pair are seated, 
he on the ground, under the boughs of leaning trees ; their costumes are 
variants of rose and green relieved by white, and the foliage back of 
them is of soft greenish tones. At their feet a goat and sheep, beside 
a stream. 


Property of EuGENE GLAENZER & Company, of Paris and New York, m 
liquidation. 


BOUCHER (SCHOOL OF) 


FRANCOIS BOUCHER 
Frencu: 17038—1770 


88—_LA JEUNESSE 
Height, 3144 inches; length, 5144, inches 


(A companion to No. 82) 


DecoraTIvE panel portraying a smiling maiden in a décolleté costume 
of old-gold, rose and white, with flowers in her hair and in a basket 
beside her, reclining beneath a tree, and a plump curly-haired boy whom 
she is beguiling. In the background a stream and viaduct, and a pair 
of doves, in low and soft tones. 


Property of EuGENE GLAENZER & Company, of Parts and New York, in 
liquidation. 


JAN WEENIX 


Dutcu: 1640—1719 


84—STILL LIFE 


Height, 581% inches; length, 70 inches 


A FINE group of trophies of the chase, suspended from the lower 
branches of a tree, including a white swan with one wing extended, 
a hare, pheasant and grouse. At right, a black and white setter 
and, on the rim of a large vase, a magpie. In left foreground, a gun 
and hunter’s trappings. 


Purchased from W. J. Abraham, London. 


Property of Eugene GuaErnzer & Company, of Paris and New York, 
im liquidation. 


AMERICAN ART ASSOCIATION, 


MANAGERS. 


THOMAS E. KIRBY, 


AUCTIONEER. 


LIST OF ARTISTS REPRESENTED 
AND THEIR WORKS 


LIST OF ARTISTS REPRESENTED 
AND THEIR WORKS 


CATALOGUE 
NUMBER 

ABBEY, Epwin Austin, N.A., R.A. 

A Florentine Lady 59 
ALEXANDER, Joun Wuitt, P.N.A. 

Peonies 61 
BONHEUR, Rosa 

A Lord of the Forest 15 
BOUCHER (School of) 

Les Petits Oiseaux 82 

La Jeunesse 83 
BOUDIN, EuGENE | 

Summer Landscape A6 
BOUGHTON, Gerorcre HENRY 

Colder than Snow 63 
BOUGUEREAU, WitwiaAm ApoLPrHE 

The Nut Gatherers 64 
CARLSEN, Emitet, N.A. 

Street Scene 10 

Nature morte 7 62 


CASANOVA Y ESTORACH, Antonio 
In the Studio 18 


COROT, Jean Barriste CamMiILLE 
La Tour de Crécy, prés Esbly 
The Pool 
Paysage 
Paturage: Bord de Saules 


COSWAY, Ricuarp, R.A. 
Portrait of the Princess of Wales 


DAUBIGNY, Cuartes Francois 
Landscape and Stream: The Washerwoman 
Landscape: Farm by the River 
Ktang de Gillieu, Dauphiné: Solitude 


DECAMPS, ALEXANDRE GaBRIEtL 


Duck Shooting 


DIAZ DE LA PENA, NARCISSE VIRGILE 
La Chatelaine 
The Pagoda 
La Visite aux Pauvres 
In the Forest 


DUPRE, J ULES 


Marine: Fishing Boats 


FRENCH SCHOOL 


Portrait of a Gentleman 


GERMAN SCHOOL 


Marriage of the Virgin 


CATAL gon 
33 
39 
41 
44 


66 


32 
35 
38 


29 


31 
id 
40 
4S 


42 


65 


73 


CATALOGUE 
NUMBER 
 HARPIGNIES, Henri Joseru 

Landscape: Sunset 24 


HUGUET, Vicror Prmerre 


Arabian Fountain A, 


INNESS, Gerorcr, N.A. 
Passing Shower 58 


ISABEY, Louis Gaprie, EucGEne 
L, Arrivée des Invités 11 


JACQUE, Cuarirs Emite 
Horse and Sheep in Pasture 28 
The Sheepfold 36 


JONGKIND, Jowan Barruo.p 
Holland Landscape AT 


JOURDAN, AnoLrHE 
An Interesting Chapter 55 


KNIGHT, Daniet Ringway 
At Poissy: Your Health 9 


LAMBINET, Eine CHarrs 
Fishing at the Mill 2 


LARGILLIERE, Niconas bE 
Portrait of a Gentleman 78 


LA TOUCHE, Gaston 
Lovers rs 


CATALOGUE 
NUMBER 
LAWSON, Ernest, N.A. 
The Gateway, Segovia 22 
The Lake 57 


LEON Y ESCOSURA 


The Finishing Touches 3 


LINGELBACH, Jonannes 
Landscape with Figures, Goats and Sheep 67 


MADRAZO, Ratmunno DE 
Young Girl in Directoire Costume 20 


MARIS, Jacorp 
The Bridge 25 


MARIS, J. ann M. 


The Luxembourg Gardens 26 


MAUVE, ANnToN 
Donkey and Cart 


or 


MAX, GasBriEL CORNELIUS VON 
Young Woman 7 


MICHETTI, Francesco Paoto 
The Turkey Girl 14 


MOR, ANTONIS 
Portrait of a Lady 76 
Portrait of a Gentleman 77 


MOR, Antonis (School of) 


Portrait of a Gentleman 


MORLAND, Grorcrt 
The Ford 


MUNTHE, Lupvia 
Winter in the Forest 


NATTIER (School of) 
Allegory 
Allegory 


_PPALMAROLI, Vicente 
On the Beach 


PASINI, ALBERTO 
Waiting for the Chief 


PATER, JEAN Baptiste JOSEPH 


La Halte 


PISSARRO, CAamMILue 


Environs of Pontoise 


RENOIR, Prerre AUGUSTE 
View of Argenteuil 


RIBOT, AveustiIn THEODULE 
Feeding ‘Time 


Ee 


74 


70 


80 
81 


27 


RICO, Martin 


Venice 


ROUSSEAU, Pierre Errenne THropore 
Landscape 


ROY BET, Frerptmnann Victor Lron 
The Trumpeter 


RUYSDAEL, Jaxon 
Landscape with Figures 


SANCHEZ-COELLO, Atonzo 


Portrait of a Prince 


SARGENT, Joun Srncer, N.A., R.A. 
A Girl of Capri 


SISLEY, ALrrep 
In the Garden of the Cloister of Moret 


STEVENS, ALFrep 
On the Terrace 


TENIERS, Davin (THE YOUNGER) 
Landscape and Figures 


THAULOW, Frits 
A Riverside Village 


TROYON, Constant 
The Normandy Ox 


CATALOGUE 
NUMBER 


23 


30 


12 


71 


75 


60 


51 


19 


69 


AS 


37 


VALLEE, Louts 
Portrait of a Gentleman 


VAN DE CAPELLE 
Netherlands Landscape 


VAN MIERIS, Frans 
The Violinist 


VERHAS, FRANZ 
The Treasure Cabinet 


VIBERT, JrEHAN GEORGES 
A Game of Cards 


WEENIX, Jan 
Still Life 


ZAMAC OIS, EpuARDO 
Checkmated 


ZIEM, Fri 
Venice 
Grand Canal, Venice 
On the Grand Canal, Venice 


CATALOGUE 
NUMBER 


79 


68 


72 


16 


84 


13 


INTELLIGENT APPRAISALS 
FOR 
UNITED STATES AND STATE TAX 


INSURANCE AND OTHER PURPOSES 


THE AMERICAN ART ASSOCIATION 


IS EXCEPTIONALLY WELL EQUIPPED 
TO FURNISH 


APPRAISEMENTS AND INVENTORIES 


OF 


ART PROPERTY, BOOKS, MANUSCRIPTS, JEWELS 
AND PERSONAL EFFECTS OF 
EVERY DESCRIPTION 


AT CHARGES COMMENSURATE 
-WITH THE DUTIES INVOLVED 


THE AMERICAN ART ASSOCIATION 
MADISON SQUARE SOUTH 


NEW YORK 
TELEPHONE, 3346 GRAMERCY 


COMPOSITION, PRESSWORK 
AND BINDING BY 


¥ 
a 
¥ 
7c 
4 he ve 
P ' 
y ’ 
' 
4 + 
T yk fad 


a ts 


J. PAUL GETTY 
CENTER 


ae 5 


a 


MADISON SQUARE SOUTH 
ao NEW YORK |: | 


\t 


